Archives

2018

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Vol 25 (2018): The Politics of Location: Feminist and Queer Spaces in Global Contexts

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Konstantinos Mytakos designed the cover; Janice L. Robes provided its image, 'Chelsea Border Directives.’



2017

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Vol 24 (2017): The Viewing of Politics and the Politics of Viewing: Theatre Challenges in the Age of Globalized Communities

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From the performance "Dying as a Country", Directed by Michael Marmarinos


2016

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Vol 23 (2016): Digital Literary Production and the Humanities

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Screenshot from:  Strickland, Stephanie, and Cynthia Lawson Jaramillo. “slippingglimpse.” 2007. Εlectronic Literature Collection 2. Ed. Laura Borràs, Talan Memmott, Rita Raley, and Brian Kim Stefans. Electronic Literature Organization, 2011. Web. 14 Dec. 2015.


2014

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Vol 22, No 2 (2014): The Geographies of Contemporary Greek Theatre: About Utopias, Dystopias and Heterotopias

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From the performance of Golfo, National Theatre, Athens, dir. Nikos Karathanos, 2013. Courtesy of Nikos Karathanos.

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Vol 22, No 1 (2014): Struggling with the Classics: About Locality and Globality

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Ancient Theatre of Dionysus, Athens. Photo: Georgos Makridis



2012

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Vol 20 (2012): Semiotics as a Theory of Culture

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The Phaistos Disc, found at Phaistos, Crete and dating from the 2nd millen­nium BC. Archaeological Museum of Heraklion. © ΥΠΠΟΑ - Ταμείο Αρχαιολογικών Πόρων.


2011

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Vol 19 (2011): Challenging Boundaries in Interpreting Studies: Interdisciplinary Approaches

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The sign on the cover means "interpretation" in sign language. As a symbol, it is used to indicate that a sign language interpreter is available. The specific composition of the black and white images was conceived of by Fotini Apostolou (School of English, AUTh).



2009

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Vol 17 (2009): The Text Strikes Back: The Dynamics of Performativity

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Scene from the Greek production of Howard Barker's The Dying of Today by the Nea Skini theater company, directed by Lefteris Voyatzis, at the Kykladon Theater, Athens, November 2009. Photograph by Kostas Ordolis. Courtesy of Lefteris Voyatzis.



2007

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Vol 15 (2007): Shakespeare Worldwide and the Idea of an Audience

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Audience and stage view from the performance of The Tempest at the Globe in 2001. Photograph by Donald Cooper. Courtesy of Shakespeare’s Globe Theatre, London.


2006

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Vol 14 (2006): Objects: Material, Psychic, Aesthetic

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Aerial view of Millennium Park, featuring the Cloud Gate sculpture by Anish Kapoor City of Chicago / Peter J. Schulz.



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η δικτυακή πύλη της ευρωπαϊκής ένωσης ψηφιακή ελλάδα ΕΣΠΑ 2007-2013